Zaheer has been told to pick his support staff, as of now, nobody is …

Chennai Super Kings (CSK) have held talks with Mohit Sharma to be their next bowling coach, but nothing has been finalised yet. Zaheer Khan, the new head coach, has the liberty to pick his own staff.

“We are in talks with Mohit as per Zaheer’s wish, (but it’s) not yet finalised,” Kasi Viswanathan, CSK managing director and chief executive officer, told RevSportz. “Zaheer has been told to pick his support staff, as we (have) said earlier. He will take his time and finalise. Once the entire list is finalised, we will have a media release done. As of now, nobody is confirmed. (It) may take a week to finalise.” solvita.blog

CSK have recently appointed Zaheer as their new head coach, and a support-staff overhaul is expected as well. Eric Simons, who was the bowling coach until the 2026 season, is very likely on his way out. Mike Hussey’s future as CSK’s batting coach, too, looks uncertain.

Mohit played for India and CSK under MS Dhoni’s captaincy. The franchise’s talisman is clearly having a say in the appointment of the coaching staff this season.

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Ghulam Mustafa Bashir qualified for the final in the men’s 25 metres rapid-fire pistol competition at the Asian Games in Nagoya, Japan, finishing sixth in qualification with 578 points.

Bashir, competing at the Aichi Prefecture General Shooting Gallery, recorded 19 inner tens X to secure one of the eight qualifying places. China’s Su Lianbofan topped the qualification with 592 points and 24 Xs, setting a new Asian Games qualification record.

South Korea’s Lee Gunhyeok finished second on 588, while compatriot Yoon Seoyeong was third with 581. Kazakhstan’s Nikita Chiryukin placed fifth on 578, ahead of Bashir on the same score but with more Xs separating the positions.

Vietnam’s Pham Quang Huy and Indonesia’s Suteja Dewa Putu Yadi also advanced after scoring 578.

India’s Anish finished ninth on 576, missing the eight-man final qualification cut. China’s He Shiyu also scored 576 but finished 10th.

The final is also scheduled for Thursday (today).

Aichi-Nagoya [Japan], October 1 (ANI): The Indian men’s volleyball team’s Asian Games 2026 campaign came to an end after a 0-3 loss to arch-rivals Pakistan in the quarterfinals at the Aichi-Nagoya Games on Thursday.

India, who had stayed competitive in the opening stages, went down 19-25, 23-25, 18-25 as Pakistan secured a place in the semifinals, according to ESPN.

India were in the contest for much of the opening set, but a five-point run in the middle allowed Pakistan to gain control. The Indians were unable to recover as Pakistan closed out the set 25-19.

The second set proved even more frustrating for India. They led 19-16 and appeared well placed to level the match, but another sequence of errors at a crucial stage allowed Pakistan to regain the advantage.

Pakistan eventually won the set 25-23, leaving India with no room for error.

India struggled to find a way back in the third set as Pakistan maintained control and sealed the quarterfinal with a 25-18 win.

Earlier in the day, India secured a medal in men’s sepaktakraw after defeating Vietnam 2-0 in their Group A quadrant match. The victory, their second in as many matches, confirmed India’s place in the semifinals and assured them of a medal.

In wrestling, Mansi advanced to the women’s 62kg quarterfinals after defeating Kazakhstan’s Irina Kuznetsova 6-1 in the round of 16.

Mansi, a former World Championships bronze medallist in the 59kg category, dominated the bout and never allowed her opponent to settle. She will face South Korea’s Jo Su-been in the quarterfinals.

Yamini Mourya also progressed to the quarterfinals of the women’s 57kg judo competition after defeating Qatar’s Fatena Bu-Qahoos by ippon. She will face Mongolia’s Ariunzaya Terbish in the last-eight stage.

India also suffered setbacks in archery and taekwondo. Chikitha Taniparthi lost 143-144 to Indonesia’s Nurisa Dian Ashrifah in the compound women’s individual quarterfinals, while Rupa Bayor was knocked out after finishing 15th in the women’s individual poomsae semifinal.

In cycling, Harshveer Singh Sekhon finished 10th in the first race of the men’s omnium and has 22 points with three races remaining.

India entered Day 12 in eighth place in the medal standings with 60 medals — 10 gold, 21 silver and 29 bronze. (ANI)

(This content is sourced from a syndicated feed and is published as received. The Tribune assumes no responsibility or liability for its accuracy, completeness, or content.)

It was almost by accident that Jamie Strangroom found his way into shooting sport broadcasting. A decade later, he has become one of the recognisable voices of the sport, working across ISSF competitions and major multi-sport events, including the Olympic and Asian Games.

“As you know in this industry, it’s more who you know than what you know,” he says with a smile.

Originally a radio broadcaster with the BBC, predominantly covering entertainment news and occasionally sport, Strangroom had no particular connection with shooting. Then came an unexpected opportunity.

“A friend of a friend at the BBC got in touch with that friend to see if they’d be interested in trying out for some shooting sport, announcing and commentating. That friend wasn’t available, so he asked me.”

Strangroom said yes, despite knowing little about the sport.

“I really learnt on the job, watched a few YouTube videos, and started at an ISSF Junior World Cup in Suhl, Germany,” he recalls.

“I remember making quite a few mistakes that day and calling my mum at the end of the day and telling her, I don’t want to do this, so I just want to go home.”

He did not go home for good. Instead, the unexpected opportunity became a career.

Making shooting understandable

For a sport that can struggle to attract mass attention outside major multi-sport events, broadcasting presents a particular challenge: how do you make something technically complex and visually subtle understandable and engaging?

Not everyone watching or sitting in the stands will know the difference between the disciplines, understand the scoring system or appreciate just how difficult it is to hit a target.

Strangroom admits that finding the right balance remains a work in progress.

“It’s a tough balancing act, I guess, because I do more of the audience, in-person announcing and commentating. My colleagues Rory (McAllister) and Martina (Lucic) do more of the TV commentary.”

At World Cups, he estimates that most spectators already understand the sport.

“Generally, at our World Cups, 80 to 90 per cent already know the sport. So you don’t want to patronise them or alienate them, but equally you’ve got to think about that 10 or 20 per cent who don’t know the sport.”

The Asian Games provide another opportunity to strike that balance and introduce the sport to a wider audience.

“It’s something I’m still working on, to be honest,” he said. “I don’t think I’ve figured out the best way yet of describing the various events and disciplines to a new audience, but it’s something I’m always working on.”

Making an invisible sport visible

The challenge is particularly interesting because shooting does not always offer the instant visual drama associated with other sports.

“Rifle and pistol events are very exciting,” said Strangroom. “There are lots of details to focus on, and the atmosphere is good, especially being indoors with the music playing. The Asian Games has been amazing. The first couple of days here, the atmosphere was brilliant for the rifle finals.”

But there is an obvious limitation.

“Of course, it’s not the most visual sport in terms of what you’re seeing in person. With shotgun (events), you can see the targets and see whether they’ve been hit or missed.”

Broadcast technology has helped bridge some of that gap. Live aiming, close-ups and other visual elements allow audiences to see details that can be difficult to appreciate from the stands.

Strangroom also has a more traditional trick.

“I’ll often hold up a target so they can see how difficult it is to hit the black and then, right at the very centre, the 10.9.”

He often compares the 10.9 to hitting the tip of a pen from 10 metres away.

“Showing them that visual with the target and the distance of 10 metres can really help. Even though they can’t see it happening in the moment, they can start to imagine it and appreciate how difficult it is and how skilled these athletes are.”

For Strangroom, that is ultimately what broadcasting should achieve.

“So it’s a balancing act – not alienating those who already know the sport or patronising them, but also being there to educate and, hopefully, entertain. That’s really the job.”

The bigger objective is to turn curiosity into a long-term following.

“Hopefully, we can introduce new people to the sport as well and get them to come back again and again.”

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From resistance to embracing the show

Shooting has changed considerably during Strangroom’s decade in the sport. Competition formats have evolved, finals have been shortened and organisers have increasingly looked at ways of making the sport easier to follow.

“The formats have changed. They’ve been shortened,” he said. “The longer events have been shortened, at least in the finals. The three-position event and the two shotgun events, skeet and trap, have been shortened as well. So it’s about making them shorter and, hopefully, easier to follow and easier to understand.”

But perhaps the biggest change has been cultural.

“When I first started, there was, within the sport, a little bit more resistance to people like me coming in, announcing, trying to get the audience making noise, having music playing, dramatic lighting – things like smoke machines at some World Cups when the athletes walk out, almost like WWE wrestler-style entrances.”

That resistance has gradually disappeared.

“We do that at some World Cups now, but there was resistance to it at the beginning. That was 10 years ago. Remember, I’m old!”

He has also noticed a change in the athletes’ attitude towards the atmosphere around competitions.

“When I do my rapid-fire interviews for ISSF Instagram, one of the ‘this or that’ questions is: loud crowd or quiet crowd? Only one person out of, I don’t know, 50 this year has said quiet crowd. That was Shengli Hao, by the way.”

The overwhelming preference is for noise.

“They all say loud crowd. They like the atmosphere. So I think the athletes are now starting to embrace what we’re trying to build around the sport – an atmosphere that helps make shooting feel more like, as you said, a more audience-friendly sport.”

Technology and presentation, Strangroom believes, will continue to play a role.

“Bringing in more visual elements like live aiming and building on that is how we can help the sport grow.”

He jokes about the scale of the challenge.

“And, you know, again, we know the ceiling is lower. We’re not going to be football. We’re not going to be cricket.”

“And that’s very negative of me! We are going to be football. We are going to be cricket. It might just take a bit of time.”

Watching India grow

A decade in shooting has also allowed Strangroom to watch athletes and teams develop, including India.

“Incredible,” he says when asked about the country’s growth.

“My first competition in India was quite a few years ago, and going there for the first time compared with my most recent visit last year, I haven’t seen too much change in terms of the passion and warmth of the nation and the people we work with. That has always been consistent. I love going to India – and I love Indian food too, so that helps!”

What has changed, he says, is the professionalism surrounding the athletes.

“In terms of the athletes and the professionalism of the NRAI, I think it has really grown. It’s incredibly impressive now.”

He recalls seeing the operation at the Dr Karni Singh Shooting Range in New Delhi and encountering the Indian team at competitions around the world.

“The preparation is remarkable. They’re always in the gym. In fact, my biggest battle at these competitions is trying to get into the gym before the Indian team because they’re always there!”

He puts India and China among the most impressive teams operationally.

“They’re consistent, they work hard and they’re always in preparation mode. Off the field, I’d say India and China are probably the most impressive in terms of the operation and the team around the team.”

His connection with Indian shooting also goes back to the athletes themselves.

“On the field, I feel like I’ve grown up with some of these athletes. When I started, it was at a junior World Cup, and Anish Bhanwala was there at one of his first international competitions. Now I’m announcing him at the top level, including when he won a World Championship bronze in Cairo last year.”

“So seeing the growth of these athletes has been really great. I feel like I’ve been on a journey with a lot of the Indian team. I’m neutral, I’ve got to say – I’m neutral! — but I do feel like I’ve been on a journey with India.”

A sport obvious for someone in the UK – football

After more than a decade in shooting, two Olympic Games and countless ISSF World Cups and World Championships, Strangroom has little doubt that taking that first opportunity was the right decision.

“For any young aspiring broadcasters out there, I think the lesson here is don’t automatically say no to things, because I almost did,” he says.

“I almost did that with this, not knowing what it was and knowing it was so far out of my comfort zone. But I don’t regret it at all.”

And, while speaking to someone from the UK, there is one subject that cannot be avoided: football.

Originally from near Coventry, Strangroom supports Liverpool, thanks to his older brother.

“My big brother supported them, so that’s how I got into Liverpool. We’ve had plenty of ups and downs in my time as a fan!”

His favourite memory as a shooting commentator is easier to identify.

“My favourite memory has to be announcing the first medal of the Paris Olympics — the 10m air rifle mixed team event.”

But as a fan, he goes back much further.

“I’ll go with Euro 96. Remember, I’m old! It was the first tournament I really remember England being involved in. We reached the semi-finals, lost to Germany on penalties, and for a while we thought, ‘Can we actually win this? It’s coming home.’”

Then came the familiar ending for an England fan.

“That was when that song came out too. Then we lost on penalties, which was probably an important life lesson, because England fans have experienced that pain plenty of times since!”

He remembers more than the result.

“Just seeing the whole country come together — it was summer, the sun was shining, everyone was singing that song. We’re still singing it all these years later, and we still haven’t won anything!”

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